JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
England and Son,
Summerhall, Edinburgh
He’s done it again!
A few years ago, Ed Edwards exploded into Edinburgh with A Political History of Smack and Crack, performed at the Fringe Festival. It was a brilliant piece of political theatre, setting personal stories of drug addiction in ’80s Britain against the background of brutal Tory policies of deindustrialisation and the historical encouragement of the international drugs trade by the US, Britain and France in the course of their imperialist adventures.
Now he’s back in Edinburgh, together with Mark Thomas, the actor, comedian and political activist, with the equally explosive England and Son, which could well have been called “The Political History of Toxic Masculinity.”
GEORGE FOGARTY is captivated by a brilliant one-man show depicting life in HMP Strangeways
ANGUS REID squirms at the spectacle of a bitter millennial on work experience in a gay sauna
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play


