Can you tell us about the book and why you decided to write it as a memoir?

I was very resistant to writing a traditional memoir, and the first draft of the book included very little personal narrative.

I believe the memoir or “creative nonfiction” genre tends to perpetuate neoliberal narratives that eliminate structural critique in favour of emotional identification. Everything becomes about the writer as an individual: their suffering, their triumph, etc. Who cares about the larger set of social relations that make this possible? What matters is what is moving enough to sell copy. So, I knew I didn’t want to play into this.

At the same time, I realised my life was something of a convenient structure onto which I could hang my critique. I was born in 1984, came of age in the post-9/11 landscape, and internalised the liberal obsession with meritocracy. If I was going to make something of myself, I thought, I had to become educated.