RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Class solidarity is no walk in the park
ADAM THERON-LEE RENSCH talks to Mike Quille about what it is to be a working-class writer in the US and patronising perceptions of class that abound left, right and centre
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IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
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SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
Can you tell us about the book and why you decided to write it as a memoir?
I was very resistant to writing a traditional memoir, and the first draft of the book included very little personal narrative.
I believe the memoir or “creative nonfiction” genre tends to perpetuate neoliberal narratives that eliminate structural critique in favour of emotional identification. Everything becomes about the writer as an individual: their suffering, their triumph, etc. Who cares about the larger set of social relations that make this possible? What matters is what is moving enough to sell copy. So, I knew I didn’t want to play into this.
At the same time, I realised my life was something of a convenient structure onto which I could hang my critique. I was born in 1984, came of age in the post-9/11 landscape, and internalised the liberal obsession with meritocracy. If I was going to make something of myself, I thought, I had to become educated.
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MIKE QUILL reports on a lively conference in Barnsley that took stock of working-class access to culture and proposed strategies to embed culture within the trade union movement
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MIKE QUILLE is impressed by the rigorous Marxist approach to be found in a new book on the dialectics of art
Labour’s manifesto proposals for broadening access to culture are initiatives which will enhance the lives of millions, says MIKE QUILLE
