ELEANOR DOBSON reflects on a stark visual record of the violent desecration of Tutankhamun’s mummified remains
I create, therefore I am
GAVIN O’TOOLE explores the resistance expressed by central American artists to their own erasure by US imperialist policies
FORGOTTEN GENOCIDE: Regina Jose Galindo, “¿Quien puede borrar las huellas?”, (“Who can erase the footprints?”)
[Lutz Teutloff Museum/flickr/CC]
RUTH AYLETT appreciates the rich blend of poetry and music that accompanied the launch of the Morning Star’s anthology of poetry, Who We Are
WANJA KIMANI explores the many bonds of community experience expressed in in the bold and colourful imagery of a new mural
New releases from Keeley, Lucinda Williams and Ye Vagabonds
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
PAUL DONOVAN enjoys a brutally honest rags to riches memoir of the actor’s life, even if it clearly lacks any political insight
Visual Disobedience: Art and Decoloniality in Central America
Kency Cornejo, Duke University Press, £22.99
IT is a breathtaking revelation to learn that, to date, no US academic book has offered a history of Central American art, analysed it in relation to the legacies of its own brutal colonialism in the isthmus, or examined the resulting decolonial resistance this has spawned.
Such a powerful observation by Kency Cornejo in itself represents a protest against the sub-region’s invisibility in colonial aesthetics, and the author goes on to offer potent examples of the creative backlash this has given rise to.
It is not a niche observation confined to the rarefied air of university art history departments but one with profound significance for postcolonial studies that extends far beyond the field in real time.
Similar stories
Spain has joined South Africa’s ICJ genocide case against Israel while imposing weapons bans and port restrictions, moves partly driven by trade unions — proving just how effectively civil society can reshape government policy, writes RAMZY BAROUD
On the centenary of the birth of the anti-colonial thinker and activist Frantz Fanon, JENNY FARRELL assesses his enduring influence
NICK MATTHEWS previews a landmark book launch taking place in Leicester next weekend
With its track record of leveraging cultural power for US gain and barely concealed promotion of coup attempts, the US Agency for International Development will not be mourned among the US’s southern neighbours, write JOHN PERRY and ROGER D HARRIS