The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Throwing stones in glass houses
GAVIN O’TOOLE observes that the call for a new international framework for conflict mediation is fatally marred by a partisan position on the Isreali-Gazan conflict
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
Negotiating with the Devil: Inside the World of Armed Conflict Mediation
Pierre Hazan
Hurst, £18.99
IN 1929 from his fascist cell, Antonio Gramsci described epochal changes as Europe tore itself apart — an old world was dying and a new one was struggling to be born.
It was “a time of monsters,” the Italian Marxist warned, with chilling prescience.
Pierre Hazan uses this metaphor to situate the key dilemmas facing conflict mediators today in a similarly dark landscape in order to ask how they are to fulfil their role in a deeply divided multipolar world where the very idea of an “international community” is redundant.
More from this author
GAVIN O’TOOLE explores the resistance expressed by central American artists to their own erasure by US imperialist policies
Here’s an antidote to the Venezuela election-induced tantrums of Western elites. GAVIN O’TOOLE reviews it
GAVIN O’TOOLE applauds an analysis of culture that explains why political conflicts today are focused more on values and identity than the economy and social questions
The argument that labour parties, supported by conservative trade unions, are instrumental to capitalism has contemporary resonance, suggests GAVIN O’TOOLE
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