MARY CONWAY is gripped by the powerful emotional journeys portrayed by the parents of the perpetrator and victims of a mass shooting
Hearing Things
Omnibus Theatre, London
AROUND a quarter of the population experience mental health problems each year yet it’s still a subject many prefer not to discuss and one with a fair amount of stigma attached.
Philip Osment breaks the silence in his compelling drama Hearing Things, in which we witness psychiatrist Nicholas (Jim Pope) struggling with the demands of his work, the needs of his patients, his father’s advancing dementia and his own wellbeing.
Ingeniously, the nature of mental health and identity is explored by the three actors who, portraying six different characters, often take the audience by surprise when swapping between them.
RICHARD SHILLCOCK examines an enjoyable, but philosophically conventional book, and urges Marxists to employ their capacity to embrace the totality in any explanation
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
MARIA DUARTE and ANGUS REID review Friendship, Four Letters of Love, Tin Soldier and The Ballad of Suzanne Cesaire



