STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Robert Henke: CBM 8032 AV, Barbican
Robert Henke performs CBM 8032 AV at the Barbican
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
MOST people old enough to remember the Commodore, one of the first home computers released in the late 70s, will perhaps be more familiar with its 80s console offshoot the Commodore 64 - that ran classic computer games like Pac-Man, Impossible Mission, Bubble Bobble, Out Run and Tetris.
The fact these computers were never designed to create music hasn't stopped electronic artist-cum-scientist Robert Henke from rising to the challenge.
Tonight he uses not the console but a model from the early 80s, the CBM (Computer Business Machine) 8032, to create a unique audio-visual performance based on the tiny 8-bit CPU - a speed, Henke explains, far slower than even your washing machine.
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