JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
The Spanish name for the award-winning Mexican film The Golden Dream is La Jaula De Oro, which translates as cage of gold.
“It’s what the migrants call the US because of all the gold, all the money, but when you’re in it it’s like a prison,” explains the quietly spoken 45-year-old director Diego Quemada-Diez.
The film reflects how free trade agreements with the US, combined with decades of intervention and destabilisation in central America, have caused profound inequality, poverty and violence, provoking millions to flee north.
MARJORIE MAYO, JOHN GREEN and MARIA DUARTE review Sudan, Remember Us, From Hilde, With Love, The Road to Patagonia, and F1
RITA DI SANTO reports on the films from Iran, Spain, Belgium and Brazil that won the top awards
RITA DI SANTO speaks to the exiled Ukrainian director Sergei Loznitsa about Two Prosecutors, his chilling study of the Stalinist purges



