FIONA O’CONNOR is fascinated by a novel written from the perspective of a neurodivergent psychology student who falls in love
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RITA DI SANTO speaks to the exiled Ukrainian director Sergei Loznitsa about Two Prosecutors, his chilling study of the Stalinist purges
BRUTAL REMINDER: Sergei Loznitsa's Two Prosecutors / Pic: Festival de Cannes
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SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
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GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
UKRAINIAN director Sergei Loznitsa returns to Cannes, competing for the Palme D’Or with his latest film, Two Prosecutors. Loznitsa, one of the most significant directors of our era, is celebrated for his artistic skill and social awareness. Born in Belarus, he was raised in Kiev and trained at the VGIK film institute in Moscow, but now lives in exile in Berlin.
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