RAMZY BAROUD highlights how Israel’s ambassador sought to shut down UN officials documenting sexual violence and abuses against Palestinians
Luke Wright has long been an important figure on the British live poetry circuit. Arguably responsible for inventing “themed” theatrical poetry shows with the help of his cohorts in Aisle 16 — a show that presented the artform as an ironic series of motivational business talks — he’s also been broadcast on Channel 4 and is in the rare position of being able to earn a living purely from his popular live work alone.
What I Learned From Johnny Bevan is his current award-winning poetry show and book. Using the expensive and offensive fictional festival Urbania on abandoned sink estate the Grooms as the springboard for its narrative, it’s an energetic yet heartrending piece of work.
Flashing back to a 1990s student friendship between the comfortable, middle-class Colchester boy Nick and the Grooms estate dwelling Bevan, it reveals what happens to their lives in the aftermath of Blair’s victory.
Witnessing a war of words at a meeting on tackling militarism at The World Transformed, BEN COWLES spoke to a union rep who is organising against war from inside the arms industry itself, to hear about worker-led solutions to ending weapons production
Apart from a bright spark of hope in the victory of the Gaza motion, this year’s conference lacked vision and purpose — we need to urgently reconnect Labour with its roots rather than weakly aping the flag-waving right, argues KIM JOHNSON MP
The Gala’s core message of working-class solidarity offers renewed hope and provides the antidote to the anti-worker policies of Reform UK, argues IAN LAVERY MP
While Reform poses as a workers’ party, a credible left alternative rooted in working-class communities would expose their sham — and Corbyn’s stature will be crucial to its appeal, argues CHELLEY RYAN


