PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
GREAT leaders like to demonstrate their power. These days it tends to be shows of military might and grand parades of state-of-the-art weaponry.
But Renaissance monarchs and nobles amassed huge collections of art, the better to show off their cultural sophistication. Charles I was no exception and the current exhibition at the Royal Academy indicates the extent of his obsession with collecting the finest art and artists, one which was ultimately to cost him his head.
Walk through Charles I: King and Collector, which represents only a small fraction of the Stuart king’s entire collection, and you can see how art functioned as a political display of power and magnificence.
MAT COWARD explains how in the 17th century a row over whether to kneel at communion became a battle over religion, class and royal power
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
JIM JUMP describes how artists in Britain rallied to the anti-fascist cause



