GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet
‘His music has been the true soundbeat of his political heart’
CHRIS SEARLE speaks to guitarist Gary Boyle
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OF all the albums that the multiple formations of the Mike Westbrook bands have made from duos, trios, to full orchestras and his present “Band of Bands,” the Live, 1972 album, now reissued, gives us the freest expression of Westbrook’s music.
Over half a century on, its power and liberated sounds create an uncanny unity with the free improvisation much more common in now-times.
The guitarist on the 1972 album was the outstanding Gary Boyle, whose soloing throughout the album’s seven long tracks radiates the influences of Ornette Coleman, a strong dose of the blues, and if you listen closely on such tracks as Spaces, you can hear the far echoes of the sitar and his Indian birthplace.
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
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ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
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ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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CHRIS SEARLE speaks to Glaswegian guitarist JIM MULLEN
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CHRIS SEARLE speaks to self-taught tenor saxophonist Nat Birchall
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CHRIS SEARLE speaks to drummer Alan Jackson, ex-bandmate of Bruce Turner in the band Fingers
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WILL STONE welcomes an outstanding collection of jazz writing from the Morning Star’s own correspondent