JON BALDWIN recommends a provocative assertion of how working-class culture can rethink knowledge
‘I aim for a sound that conjures up vistas of sunrises and wide open landscapes’
CHRIS SEARLE speaks to self-taught tenor saxophonist Nat Birchall
Tenor saxophonist Nat Birchell and the Unity Ensemble
These are vivid accounts of people’s experiences of far-right violence along with documentation of popular resistance, says MARJORIE MAYO
The Star's critics MARIA DUARTE, JOHN GREEN and ANGUS REID review An Army of Women, Julie Keeps Quiet, The Friend and The Ugly Stepsister
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football
Above a Gothic bar just down from Brighton station, something spooky is happening, suggests JAMES WALSH
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
WHEN Chorley, Lancashire-born tenor saxophonist Nat Birchall brought his septet, the Unity Ensemble, to the Cafe Oto in the teeming, cosmopolitan heart of Hackney, it was as if he had brought the ancient majesty and mystery of the Pennines in the beauty of his horn, so much is the rural north of England endemic to his sound.
With fellow Coltrane-loving veteran hornman Alan Skidmore supplementing pianist Adam Fairhall, thunderous drummer Paul Hession, bassist Michael Bardon and percussionists Mark Wastell and Lascelle Gordon, they played live the music on their serene, almost hymnal new album, New World, to hugely receptive London listeners.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
