GAVIN O’TOOLE examines the fatal relationship between environmental crimes and politics in Brazil and the inspiration provided by Indigenous people
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‘When it comes to Britain’s colonial past, music can be part of that reckoning’
CHRIS SEARLE speaks to British Nigerian/Jamaican pianist ROELLA OLORO
Roella Oloro, 2021
[Jack Kendon] 
MARIA DUARTE and LEO BOIX review Little Trouble Girls, Big Boys, The Roses, and Caught Stealing
MARY CONWAY admires a study of environmental idealism that aspires to Chekhov but is arrested in a deluge of middle-class opinion
ANGUS REID questions whether a human scriptwriter is behind the multiple plagiarisms of Disney’s much-lauded and vacuous extension of the Alien franchise
ANDREW FILMER welcomes the reopening of Glasgow’s landmark theatre after a seven-year transformation
CHRIS SEARLE encourages you to go hear a landmark performance, and introduces some of the musicians
IT was an especially groovy session at the Vortex, with Roella Oloro’s sparkling piano, the plummeting, dancing bass of Rio Kai and the deft, everywhere drums of Andee Liu.
Roella plays in and out of the tradition with such pride and skill, that if you shut your eyes you could be hearing moments of Geri Allen, Mary Lou Williams, Tommy Flanagan or her earliest inspiration, Oscar Peterson. How they would have loved her!
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