PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
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‘Give me a poem and I'll write a song with it’
CHRIS SEARLE speaks to renowned US tenor saxophonist DAVID MURRAY
David Murray & Class Struggle at INNtöne Jazzfestival 2018
[Schorle/CC]
LEO BOIX applauds an audacious, self-questioning film about grief, friendship and film-making
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
ANDY HEDGECOCK, JAMES WALSH and JAMIE BRITTON review Hanging by a Wire, I Want Your Sex, The Pout-Pout Fish, and Rise of the Foot Soldier: Retribution
Chris Searle speaks to US pianist RAN BLAKE
The Bard hands out medals for his Edinburgh campaign and urges us to support The Men They Couldn’t Hang
NO OTHER saxophonist has so mastered the jazz tradition, while simultaneously playing out of it with such musical freedom, as David Murray. Born in Oakland, California, in 1955 he became a nonpareil of jazz saxophone within the post-John Coltrane, post-Sonny Rollins generation and, as he approaches his 70th year, he is still making wondrous sounds of fire, compassion and verve, as his newest album Francesca testifies.
Murray’s mother Catherine was pianist and musical director of the Missionary Church of God in neighbouring Berkeley. His father Walter was head deacon and played guitar.
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