MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
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‘Give me a poem and I'll write a song with it’
CHRIS SEARLE speaks to renowned US tenor saxophonist DAVID MURRAY
David Murray & Class Struggle at INNtöne Jazzfestival 2018
[Schorle/CC]
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
NO OTHER saxophonist has so mastered the jazz tradition, while simultaneously playing out of it with such musical freedom, as David Murray. Born in Oakland, California, in 1955 he became a nonpareil of jazz saxophone within the post-John Coltrane, post-Sonny Rollins generation and, as he approaches his 70th year, he is still making wondrous sounds of fire, compassion and verve, as his newest album Francesca testifies.
Murray’s mother Catherine was pianist and musical director of the Missionary Church of God in neighbouring Berkeley. His father Walter was head deacon and played guitar.
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