WILL STONE fact-checks the colourful life of Ozzy Osbourne
‘Give me a poem and I'll write a song with it’
CHRIS SEARLE speaks to renowned US tenor saxophonist DAVID MURRAY
David Murray & Class Struggle at INNtöne Jazzfestival 2018
[Schorle/CC] 
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
NO OTHER saxophonist has so mastered the jazz tradition, while simultaneously playing out of it with such musical freedom, as David Murray. Born in Oakland, California, in 1955 he became a nonpareil of jazz saxophone within the post-John Coltrane, post-Sonny Rollins generation and, as he approaches his 70th year, he is still making wondrous sounds of fire, compassion and verve, as his newest album Francesca testifies.
Murray’s mother Catherine was pianist and musical director of the Missionary Church of God in neighbouring Berkeley. His father Walter was head deacon and played guitar.
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Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG
