LEO BOIX recommends a ravishing, full-bodied drama about the intensely demanding and emotional art of Kabuki theatre
On the day of the election, MARTIN GOLLAN reflects on the perennial relationship between the far-right and the back-hander
When our own cartoonist, Martin Gollan, writes “After Heartfield” he is referring to one of the greatest political images of the Nazi era, created by John Heartfield and published on the cover of the Arbeite Illustrierte Zeitung (AIZ) or Workers Illustrated Newspaper, along with the words “Millions Stand Behind Me: A Small Man Asks For Big Gifts.”
At the advent of power, Hitler and his party actively courted German corporate capital, who would both fund and profit from the commitment to war, and disengaged from his base of disaffected military veterans and the working class.
At the time the AIZ had a circulation of 500,000, as big as any other magazine in the country, and the message — that Hitler’s salute was reaching for a hefty backhander from the bosses — was on every newstand.
The £5,000,000 that Nigel Farage received from Crypto billionaire Christopher Harbourne in 2024 was not declared in the Parliamentary Register of Interest and was recently described by Farage himself, without a trace of irony, as “a non-conditional, non-political personal gift.”
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
While Spode quit politics after inheriting an earldom, Farage combines MP duties with selling columns, gin, and even video messages — proving reality produces more shameless characters than PG Wodehouse imagined, writes STEPHEN ARNELL
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
ANGUS REID calls for artists and curators to play their part with political and historical responsibility



