RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Crime fiction with Mat Coward: April 1, 2025
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
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IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
NOT recommended for the squeamish, the easily shocked or the easily offended, if you think you’ve got the stomach for it Christa Faust’s The Get Off (Hard Case, £9.99) is top-quality modern pulp fiction.
The protagonist, former porn star Angel Dare, has appeared in two previous novels, knowledge of which is not necessary to enjoy this one. In her third and final outing, Angel’s on the run from the law, and from a social media posse, following a revenge killing that went as wrong as it possibly could.
She gets entangled with cattle barons and rodeo stars as she makes her way across the USA towards sanctuary in the wildlands near the Canadian border. And although she doesn't mean to do it, everywhere she goes she leaves dead bodies behind her. The advanced pregnancy doesn't exactly help, either. Can someone like Angel really choose to “get off,” and start a new life?
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