PETER MASON applauds the revival, 39 years later with the same team and cast, of Manfred Karge’s version of Brecht’s 100-year-old play, Mann Ist Mann
Wasters
SETH SANDRONSKY appreciates a fresh take on a 100-year-old novel that helps to contextualise the current moment of conspicuous wealth, waste and climate chaos
BLING: Trump International Hotel Las Vegas, with gold-infused glass
[Roy Luck/CC]
MAYER WAKEFIELD applauds a fearless attempt to bring to the stage the 1984 toxic gas disaster in Bhopal, India
ALEX HALL applauds the account of a dogged, traumatic and punishing campaign for justice that has lasted from 1998 to the present day
NICK WRIGHT laments the political bias of an epic attempt to tell the history of the liberation of France from the Nazis, that excludes both the decisive contribution of the Soviet Red Army, and of the French communist party itself
JOE GILL traces the ideology and method of contemporary imperialism back to the greed, hubris and violence of the late 15th century Portuguese
A Rotten Crowd: America, Wealth, and One Hundred Years of The Great Gatsby
John Marsh, Monthly Review Press, £16.99
AS month two of the Trump 2.0 era careens forward, reading author and English professor John Marsh’s book is a wake-up call to systemic themes and trends as he unpacks culture and the economy over a century through the lens of Fitzgerald’s novel.
He revisits an influential work of fiction to examine an enduring “popular fascination with the rich – their houses, their clothes, their manners.” At the base of these cultural features is an economic system of, by and for the accumulation of capital held together by competition and class.
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RON JACOBS welcomes a history of the Young Patriots Organisation that is also an organising manual with applications and implications for today
SETH SANDRONSKY recommends a Marxist critique of the ‘race-first’ views of the influential black US theorist Cedric Robinson
RON JACOBS enjoys a great tale, told by a US communist, of the lives of working-class New Yorkers
SETH SANDRONSKY recommends a production that looks back at the political Tinseltown in the mid-1970s when US cinema ‘didn’t pander to trends’