Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Anti-fascist musical?
JAN WOOLF doubts that soft-core musical is the best way to transmit an important story of heroism and resistance
white rose
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
White Rose – the Musical
Marylebone Theatre
THE German word flugblutter translates as “a flying piece of paper.” The subversive leaflets of the White Rose took flight when brother and sister, Hans and Sophie Scholl, flung them from the balcony onto their fellow students at the University of Munich on February 18 1943. This is an excerpt:
“The day of reckoning has come. The reckoning of German youth with the most abominable tyrant our people have ever been forced to endure. We grew up in a state where all free expression of opinion has been suppressed.”
Leaflets were distributed throughout Germany as the White Rose resistance movement spread.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
