GORDON PARSONS admires a version of Marlowe’s grim tragedy that strips it down to its gay essentials
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LEIGH CARRIAGE remembers Roberta Flack, a spellbinding virtuoso of musical interpretation
When Cassy’s father fails to connect with his daughter — and misses out on
an evening in the Bitter End — a stranger’s self-mocking charm brings seething resentment.
The Bard encounters Laibach’s revival of their 1987 album Opus Dei, and is stirred to verse
ANDREW MURRAY is compelled by the moment of revolution in British history when Parliament had political intimacy with society
The Star's critic MARIA DUARTE Reviews of Twiggy, Mickey 17, Day of the Fight, and Marching Powder
GAVIN O’TOOLE welcomes a masterful study of gang behaviour in the favelas of Sao Paulo
Helen Colley introduces this year’s ScreenCuba film festival with an exclusive offer to Morning Star readers
THE multi-Grammy award-winner Roberta Flack has passed away at 88.
Her approach and sound were a unique combination of soul, folk, rhythm and blues, jazz, pop and musicianship, and arranging skills so broad she had had a lasting impact on future artists.
Her sustained career laid a foundation for pop and neosoul artists Alicia Keys, Erykah Badu, Solange, J Dilla, Flying Lotus and D’Angelo.
More from this author
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes