ALAN McGUIRE welcomes a biography of the French semiologist and philosopher
‘I enjoy the company of women musicians. It creates a different, supportive atmosphere on stage’
CHRIS SEARLE speaks to Rwanda-born jazz vocalist INEZA
Ineza
[kerstan] 
ALEX HALL is frustrated by a book that ducks a clear definition of terrorism and fails to perceive the role of the state in sponsoring it
JOE GILL wholeheartedly recommends an eloquent manifesto: how to change the world one local project at a time
Inspired by a photograph, a unique memorial in Michigan immortalises US true labour heroes. MICHAL BONCZA recalls a great story rarely told
MARIA DUARTE, LEO BOIX and ANGUS REID review Brides, Dead of Winter, A Night Like This, and The Librarians
MARIA DUARTE is entertained by a wry portrait of befuddled resistance to US authoritarianism
THE Rwanda-born singer Ineza, says of her striking and beautifully sung first album Women’s Words, Sisters’ Stories: “Its unifying theme is championing the works of female composers, singers and songwriters in the jazz world.”
Her accompanying band are all women, with the exception of pianist Alex Webb: bassist Charlie Pyne, Katie Patterson on drums, trombonist Rosie Turton and tenor saxophonist Maddy Coombs. There is also an all-women string quartet of violinists Johanna Burnheart and Annalise Lam, with Julia dos Reis on viola and cellist Miranda Lewis-Brown.
More from this author
CHRIS SEARLE speaks to US pianist Paul Cornish
CHRIS SEARLE encourages you to go hear a landmark performance, and introduces some of the musicians
CHRIS SEARLE hears the ordeal of the Palestinian people in the improvised musicianship of a UK jazz trio
Reviews of the Neil Charles Quartet, the Freddie Hubbard Quintet, and the Olie Brice Quartet
