MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
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Roy Marshall - Bowes Road
Well Versed is edited by Jody Porter
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Full of mysterious religious references and radical sound design, the Scottish duo’s new offering is candidate for album of the year, suggests SIMON DUFF
MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
Bowes Road
I’d never seen rats run on cables before
nor heard windows vibrate
to the throb of HGVs.
Jim was a native, toured his manor
like a lord, his car stereo booming
I Wanna Be Adored
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SETH SANDRONSKY recommends a production that looks back at the political Tinseltown in the mid-1970s when US cinema ‘didn’t pander to trends’
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
by Widad Nabi
DAI O’BRIEN, one of the festival’s DeafZone co-ordinators explains