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Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
Derrick Porter - Thirteen Myrtle Street, Hoxton
Well Versed is edited by Jody Porter
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
Thirteen Myrtle Street, Hoxton
Derrick Porter
Doors and floorboards
uprooted for the fire;
the widening gaps
we had to leap across
to reach the parlour,
and the sudden silence
if a door handle turned.
Mice loved that house,
living in the backs of chairs
or behind the butler sink,
their footprints cut neatly
through the cold fat
in the frying pan… like a grave
crossed after snowfall.
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