STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over
Superb earmworms
IAN SINCLAIR reviews albums by Kyle Craft, Brian Fallon, and Red River Dialect
This thriller is a politically charged and morally complex dive into climate activism and police repression, judges JENNY FARRELL
Cat show killer, avenging the pawns, women hunt the Ripper, and running dry in the outback
The Bard reflects on sharing a bed, and why he wont go to Chelsea
MARY CONWAY applauds a new play that foresees the unscrupulous tactics of a future far-right minority government
RON JACOBS is moved to tears by an eloquent journal of heartfelt intensity and human portraiture
ROBERT OVETZ recommends a case study, from the University of Leicester, in their struggle against precarization, AI, privatisation, outsourcing, and work intensification in higher education
Kyle Craft
Full Circle Nightmare
(Sub Pop)
★★★★
STUMBLING around somewhere between Highway 61 Revisited and Sticky Fingers, the second album from Portland-based US singer-songwriter Kyle Craft is a raw, swaggering burst of old-school rock’n'roll.
The catchy songs come thick and fast and the lyrics are often surreal and intense, like Craft's hero Bob Dylan. With its piano and organ, the barnstorming Exile Rag bowls along much like Dylan’s Just Like Tom Thumb’s Blues, while Heartbreak Junky employs glorious Creedence Clearwater Revival-style guitar.
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