STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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‘You've got to stand up and keep shouting’
Mikron Theatre's VASHTI MACLACHAN and MARIANNE McNAMARA tell Susan Darlington what the message of the company's play marking the suffragette centenary is all about
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
“EQUALITY,” replies Vashti Maclachlan, when asked what message she’d like the audience to take away from her new play for Mikron Theatre. “We’re still not there yet and so you’ve got to stand up and keep shouting.”
That message comes across strongly in political satire Revolting Women, which marks the 100th anniversary of female suffrage. Told from the perspective of Sylvia, the less celebrated and most socialist Pankhurst, it makes it clear that only some women got the vote in 1918.
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