MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
Latest editorial
Best of 2018: London theatre
by MARY CONWAY
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
New releases from Sam Carter, Spell Songs and Les Thomas
KEN COCKBURN traces the one original language – that of the Yamnaya pastoral nomads – from which all European and Indian languages derive
PAUL DONOVAN is fascinated by the debunking of the iconic British war hero
ALEX HALL recommends a searing panorama of our global predicament
THE BRAINCHILD of Jamie Lloyd, the ongoing Pinter at the Pinter season at the Harold Pinter Theatre commemorates the playwright’s death 10 years ago with seven different compilations of his one-act plays and monologues. Packed with actors at the top of their game, it's a theatrefest to make the heart sing.
Uncomfortably true: A Very Very Very Dark Matter (Pic: Manuel Harlan)
Not only does it showcase Pinter’s range through comedy, anger and political satire to the poignantly personal, raw, violent and prescient, it is also a landmark in the history of theatre craft — a seismic shift from linear narrative to the kind of drama where the fragile construct of words often disguises real character complexity.
Similar stories
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY