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RON JACOBS applauds a reading of black history in the US that plots the path from autonomy to self-governance and then liberation
Letters from Latin America: Literature, poetry and politics
Women writers fearlessly tackle the brutal histories of Brazil and El Salvador, national identity and family conflict
TOM KING relishes an enlightening history of the checkered progress of the war that humanity has waged on bacteria
ANDY HEDGECOCK is intrigued by a scholarly account of how systemic disinformation can exacerbate the perception of threat and foster hatred
New releases from Cuban pianist Aruan Ortiz, trumpeter Kenny Dorham, and London pianist Geoff Castle
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
WILL STONE applauds a comprehensive survey of love in its many moods and musical forms
CAROLYN FORCHE’S What You Have Heard Is True (Allen Lane, £25) is an electrifying memoir in which the acclaimed US poet tells how she became an activist in El Salvador during the late 1970s and early 1980s.
Forche’s was a trial by fire. She recounts how, as a 27- year-old poet and young teacher living in southern California, she became involved in El Salvador’s civil war through her contact with Leonel Gomez, nephew of Salvadorian poet Claribel Alegria.
More from this author
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez
LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro
LEO BOIX salutes the revelation that British art has always had a queer pulse, long before the term became cultural currency
