MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
Avalanche: A Love Story
The Barbican, London
AVALANCHE is one woman’s story of in vitro fertilisation (IVF) and it is, by its very nature, a gruelling experience.
The centrepiece of the Barbican’s first international Fertility Fest, designed to raise awareness of fertility and infertility issues globally, it’s based on Julia Leigh’s very personal account of her own IVF treatment and is performed as a monologue by Maxine Peake.
IVF is no picnic and, for those who have no experience of it, Leigh’s piece is an eye-opener. The magic and mystery of conception are reduced to detailed analyses of hormone injections, fresh and frozen human eggs, sperm counts and “viable blastocysts.”
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
Innovation in biotechnology is changing how we conceive of meat, say ROX MIDDLETON, LIAM SHAW and MIRIAM GAUNTLETT of SCIENCE AND SOCIETY
MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem


