STEPHANIE DENNISON and ALFREDO LUIZ DE OLIVEIRA SUPPIA explain the political context of The Secret Agent, a gripping thriller that reminds us why academic freedom needs protecting
IT’S February 25 1964 and Cassius Clay is celebrating becoming world heavyweight boxing champion in a Miami motel room.
With him are three other iconic black Americans in Kemp Power’s fascinating play, which speculates about a meeting between them that actually took place.
All are at decisive points in their lives. Clay is about to join the radical Nation of Islam and change his name to Muhammad Ali, while Malcolm X, Clay’s spiritual and political mentor, is on the verge of a break from the same organisation.
When Patterson and Liston met in the ring in 1962, it was more than a title bout — it was a collision of two black archetypes shaped by white America’s fears and fantasies, writes JOHN WIGHT
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
JOHN WIGHT tells the riveting story of one of the most controversial fights in the history of boxing and how, ultimately, Ali and Liston were controlled by others
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic


