Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Fragile Glass
Tennessee Williams’s play is a reminder of the precarious existence of many in the US of the inter-war years, says LYNNE WALSH
PIC CAP Sparkling: Lesley Ewen as Amanda with Michael Abubakar as Tom Pic: Idil Sukan
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
The Glass Menagerie
Arcola Theatre, London
ALL coquettish wiles and smiling scheming, Lesley Ewen commands the stage as Amanda Wingfield in this tricky old Tennessee Williams classic. It’s a huge performance at the play’s epicentre.
Her desire to raise her children beyond their abilities or ambition in the austerity-stricken St Louis of 1937 creates unbearable tension and the resultant matriarchal bullying, played at this pitch, can exhaust an audience.
Her every feature is florid, her dialogue a torrent of words. Even the Magic Flute’s Queen of the Night seemed to pause and breathe more often.
More from this author
With most of recorded history dominated by the voices of men, LYNNE WALSH encourages sisters to read the memoirs of women – and to write their own too
LYNNE WALSH attempts to unravel the latest advice from local authorities on tackling violence against women and girls
Anti-fascists from around the world will soon be travelling to Spain to commemorate the International Brigades and walk in the footsteps of the bravest of their generation, writes LYNNE WALSH
From prostitution to surrogacy, access to women’s bodies can be bought for a fee. LYNNE WALSH reports from a conference exploring the mounting crisis in which women are increasingly seen as products to be consumed
