The Bard stands with the Reformers of Peterloo, and their shared genius in teaching history with music and song
WHAT a great time to stage a theatrical version of Wuthering Heights, with Storm Ciara and her running-mate Dennis creating havoc.
Sadly, though, their fierce winds and torrential downpours create more passion and fear than this somewhat disappointing production of Emily Bronte’s classic novel.
It all starts so well, with the excellent Sophie Galpin and Becky Wilkie playing haunting guitar, synth drums and keyboard, evoking the perfect eerie and brooding soundscape for the disaster that is about to unfold.
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging
LEO BOIX introduces a bold novel by Mapuche writer Daniela Catrileo, a raw memoir from Cuban-Russian author Anna Lidia Vega Serova, and powerful poetry by Mexican Juana Adcock



