MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
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Tiger Country, Hampstead Theatre London
Hospital drama from 2014 resonates at a time of NHS crisis
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JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
TV SCHEDULES reflect an apparently insatiable viewer appetite for hospital soaps and it's a brave playwright who tackles the genre in the theatre.
This online version of Nina Raine's play, which she also directed, in some ways reinvents the wheel in presenting a familiar scenario, with medical crises mixed in with the relationships of staff stressed by their work and emotional entanglements.
But time and events, as so often, exert their influence on audiences. The advent of the coronavirus must surely break through the comfortable fiction of a TV series — locked-down online viewers are only too well aware of the heroic efforts of NHS staff to cope with what must seem an overwhelming crisis.
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