New releases from Public Image Ltd, William Basinski, and John Luther Adams
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Between Worlds: A queer boy from the valleys
Personal preoccupations obscure political clarity in engaging gay memoir
STALWARTS: LGSM veterans at a showing of Pride in 2015
[Fae/Creative Commons]
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
JEFFREY WEEKS’S memoir of gay liberation as it was experienced from 1945 to the present day is an exhilarating, informative — and troubling — account.
Weeks, a sociologist and historian, comes from the first generation of working-class students to benefit from the 1944 Education Act and to get to university from grammar school. His book describes the political and intellectual journey of a gay man from Rhondda in Wales to the middle-class academic milieu of London.
His two-part account — the first half joyful, the second somewhat horrific — is divided by the shocking suicide of his father in 1976.
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