MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
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Letters From Latin America
Review of fiction by Uruguayan writers Ida Vitale and Fernanda Trias
(L to R) Ida Vitale and Fernanda Trias
[(L to R) Pdx123/Creative Commons; Charco Press]
MARTIN HALL examines the way the Roman orator took on different schools of philosophy
ALEX HALL is amused at the way the UFOs appear exactly where commercial interests, conspiracies, militarism and right-wing media overlap
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
MICHAL BONCZA and MARIA DUARTE review Eagles Of The Republic, The Balloonists, Star Wars: The Mandalorian and Grogu, and Tom Clancy’s Jack Ryan: Ghost War
TOMASZ PIERSCIONEK is intrigued by a the changing significance of its vast areas of forest to Russia’s history
BYOBU (Charco Press, £9.99) is a puzzling book by the Uruguayan poet Ida Vitale (b1923), a member of the acclaimed Generation of ’45 and winner of one the most important literary distinctions in the Spanish language, the Cervantes Prize.
It is Vitale’s first book of prose to be published in English and has been superbly translated by Sean Manning. It could be read as an experimental novel, an essayistic notebook or as a series of concatenated aphorisms.
But it is also a book of poetry written in prose, where the main character, the elusive Byobu, navigates a tantalising world woven through by many strange and playful stories.
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