RON JACOBS applauds a reading of black history in the US that plots the path from autonomy to self-governance and then liberation
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Letters from Latin America with Leo Boix: March 4, 2025
A pamphlet by British Latinx poet Patrick Romero McCafferty, poetry by Anglo-Argentinian Miguel Cullen, and a book of conjuring poems by Mexican Pedro Serrano
TOM KING relishes an enlightening history of the checkered progress of the war that humanity has waged on bacteria
ANDY HEDGECOCK is intrigued by a scholarly account of how systemic disinformation can exacerbate the perception of threat and foster hatred
New releases from Cuban pianist Aruan Ortiz, trumpeter Kenny Dorham, and London pianist Geoff Castle
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
WILL STONE applauds a comprehensive survey of love in its many moods and musical forms
IN glass knot sun (Ignition Press, £7) British Latinx poet and editor Patrick Romero McCafferty unveils a personal narrative that transports readers from Mexico to Scotland and back. The book explores the materiality of the land, soil and human labour with striking beauty and profound insight.
The pamphlet, featuring 18 powerful poems, begins with Espiritu Santo With Snorkeller ’17, a visual poem that depicts a landscape in Mexico with mountains, the sun, a tranquil sea, and undercurrents represented by moving symbols “>==o> >==o>”. There is something mysterious and suggestive about this poem, which precedes A Doorway Between Explosions, written by the author about the San Juanico Disaster in Mexico City in 1984.
Here, Romero McCafferty underscores the human suffering resulting from a tragedy that claimed more than 500 lives and left around 7,000 people severely burned:
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A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez
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LEO BOIX salutes the revelation that British art has always had a queer pulse, long before the term became cultural currency
