JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
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Crime Fiction with Mat Coward: April 4, 2022
New titles from Louise Hare, Christobel Kent, Cate Ray and Peter Lovesey
RON JACOBS welcomes the translation into English of an angry cry from the place they call the periphery
GUILLERMO THOMAS recommends a useful book aimed at informing activists with local examples of solidarity in action around the world
HENRY BELL is provoked by a book that looks toward, but does not fully explore the question of who gets to imagine the shapes of cities to come
MATTHEW HAWKINS surveys the upcoming programme of contemporary dance in Glasgow, and picks some highlights
‘Chance encounters are what keep us going,’ says novelist Haruki Murakami. In Amy, a chance encounter gives fresh perspective to memories of angst, hedonism and a charismatic teenage rebel.
LENA is a struggling London club singer in the 1930s in Miss Aldridge Regrets by Louise Hare (HQ, £14.99), who receives an out-of-the-blue offer to take up a potentially career-making role in New York. The timing is convenient, as she has an urgent reason to vanish from her usual haunts for a while and a first-class cabin on the Queen Mary sounds like a good spot in which to lie low.
People warn her that the US may not be a safe place for a black woman, but Lena is confident that her dark looks can pass for Mediterranean. When a murder takes place on board which has echoes of the event from which she is fleeing, it’s clear someone is setting Lena up as a scapegoat in a dynastic power play.
A golden age ocean liner is a great setting for a whodunnit, and Hare has also created a delightful central character.
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