The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Brighton revolutionaries seize the day
JOE GILL is hooked by an urgent imagined rehearsal of what attempting to overthrow capitalism might look like
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JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
Unchain Me
DreamThinkSpeak
Brighton Festival
IF REVOLUTION in 2022 is anything like dreamthinkspeak’s Unchain Me, it will involve technical hiccups with tablets, waiting in the rain, and lots of flights of stairs.
In an immersive, intense plunge into a clandestine struggle against the powers that be in Brighton and Britain, groups of audience members are invited to join “the campaign” and to help overthrow the system.
Based loosely on Dostoevsky’s The Devils, the piece by Tristan Sharps (who is also Brighton Festival co-director this year) is an urgent imagined rehearsal of what attempting to overthrow capitalism might look like.
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