Skip to main content
A compelling insight into migrants’ experience

JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media

COMPELLINGLY REAL: VANNI, illustratED by Lindsay Pollock @ PositiveNegatives

Stories of Migration
Phoenix Arts Space, Brighton
★★★★★

THE migration and refugee crisis will not end. Western-backed imperial wars, climate change, and internecine religious, ethnic and factional struggles rage on. Desperate humans will continue to try to reach the metropole, regardless how many fascist politicians we elect or off-shore processing centres we build.

The only answer is empathy, solidarity, and genuine internationalism. And to build a coalition for this, we need to hear the stories of the people who will continue to traverse those smuggling routes through remote mountains and across dangerous seas.

Occasionally, photojournalism cuts through, as with the image of two-year-old Alan Kurdi on the Mediterranean beach in Bodrum. But with the traditional press dominated by the billionaire right, more innovative approaches are needed.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
ONE TO WATCH: Alvin Liu
Send in the clowns / 8 April 2024
8 April 2024
JAMES WALSH applauds the observations of a new Chinese master of stand-up 
The Metropolitan Police deploying the use of live facial rec
Book Review / 21 March 2024
21 March 2024
JAMES WALSH is appalled by the implications of introducing AI to the workplace 
BJORK-ESQUE ELFIN ALIEN: Julia Masli
Bring on the Clowns / 9 February 2024
9 February 2024
JAMES WALSH is therapeutically disrobed by a disarmingly attentive exploration of harsh truths and nonsense
END TIMES: Jim Bob plays Brighton
Concert review / 23 November 2023
23 November 2023
JAMES WALSH enthuses over the evidence that the tunes are even better after the unstoppable sex machine
Similar stories
(L) Lando di Pietro, Head of Christ (fragment of crucifix), 1338; (R) Ambrogio Lorenzetti Madonna del Latte (Madonna of the Milk), about 1325 / Pics: © Foto Studio Lensini Siena
Exhibition review / 25 April 2025
25 April 2025

LOUISE BOURDUA introduces the emotional and narrative religious art of 14th-century Siena that broke with Byzantine formalism and laid the foundations for the Renaissance

CLAIMING HER PLACE: (L) Maud Sulter, Self-portrait, 2001-2,
Exhibition Review / 10 December 2024
10 December 2024
JOE JACKSON explores how growing up black amid ‘the quiet racism of Scotland’ shaped the art and politics of Maud Sulter
A panel from the Palestinian History Tapestry
Exhibition Review / 1 October 2024
1 October 2024
MARJORIE MAYO recommends an exhibition that asserts Palestinian history, culture and creativity in the face of strategies to erase them
@sabaaneh on Instagram
Culture / 14 June 2024
14 June 2024
AMY MAZOWITA draws attention to artists who are using social media-based comics to process emotion, show solidarity and disseminate knowledge