On the day of the election, MARTIN GOLLAN reflects on the perennial relationship between the far-right and the back-hander
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A reimagined story for a contemporary London audience
L-R Toyin Ayedun-Alase as Chatter and Nkhanise Phiri as Alice
[Helen Murray]
MARY CONWAY is gripped by the powerful emotional journeys portrayed by the parents of the perpetrator and victims of a mass shooting
LEO BOIX reviews a novel where shadows deceive and mortality looms, and a poetry collection that refuses to dim
ROBIN STYLES welcomes a boundary pushing work of fiction exploring the life and ideas of the godmother of modernism
PAUL DONOVAN recommends an energetic adaptation of Ken Kesey’s novel, that emphasises how psychiatry is a tool in the hands of a racist agenda
ED WAUGH introduces a special event to commemorate the centenary of the 1926 General Strike
Reviews of Charlotte Cornfield, Michael Weston King, and Gun Outfit
Alice in Wonderland
Brixton House, London SW9
ONE OF the great things about Lewis Carroll’s 1865 classic, Alice’s Adventures in Wonderland, is that it’s so transferable — it easily works as a reimagined story for a contemporary London audience.
Lead writer and director Jack Bradfield transports us to south London’s Brixton in 2022, and 11-year-old Alice (a very impressive Nkhanise Phiri) doesn’t want to go to her nan’s.
She gets into a huge row with her mum on the Tube, where Alice suddenly jumps onto a train going in the opposite direction as the doors close shut.
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