L-R Toyin Ayedun-Alase as Chatter and Nkhanise Phiri as Alice
[Helen Murray]
MATTHEW HAWKINS relishes the valiant defiance of two gay Scottish painters whose example resists both collectors’ taste and historical fiction
Essays on contemporary Latin American feminism, a poetry debut by a queer Texan of Mexican heritage, and a lush volume of tango and milonga drawings
JOHN McINALLY welcomes a rigorous class analysis of the history and exploitation of sectarianism by the Scottish ruling elite
The bard pays homage to his two muses: his wife and his football club
Alice in Wonderland
Brixton House, London SW9
ONE OF the great things about Lewis Carroll’s 1865 classic, Alice’s Adventures in Wonderland, is that it’s so transferable — it easily works as a reimagined story for a contemporary London audience.
Lead writer and director Jack Bradfield transports us to south London’s Brixton in 2022, and 11-year-old Alice (a very impressive Nkhanise Phiri) doesn’t want to go to her nan’s.
She gets into a huge row with her mum on the Tube, where Alice suddenly jumps onto a train going in the opposite direction as the doors close shut.
MAYER WAKEFIELD recommends a musical ‘love letter’ to black power activists of the 1970s
