PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
NINE years in the making, Whole Hog’s official version of Makoto Shinkai’s 2013 anime film is a love story based on the original Japanese “koi,” meaning love as a longing for someone in solitude rather than the later, Westernised idea of romance. The engaging story explores seven individuals living in the crush of a metropolis struggling to connect to those that are close to them.
The “everyperson” inference in the work’s title does not fully summarise this pair’s idiosyncratic honing of a presentation that could be described as live sculpture or off-beat installation.
They feature low-tech knits and nylons. They deploy lavish live camera-work and deft illusion. They obsessively make a world of surprise and wonder that proffers universal access.
MATTHEW HAWKINS looks at some of the Edinburgh Festival dance offerings
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
MATTHEW HAWKINS welcomes an engaging and nourishing account of the queer subculture that flourished in London between WWII and partial decriminalisation
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company



