TONY BURKE plots the career of the legendary Senegalese band from Dakar nightclubs to Glastonbury
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Crime fiction with Mat Coward: January 22, 2024
RITA DI SANTO contemplates two films about journalism that opened this year’s festival
GEOFF BOTTOMS applauds a world-class production King Lear that pits late feudalism against a rising bourgeoisie
MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender
New releases from Brian Fallon, Antony Szmierek and Hollow Hand
PAUL DONOVAN welcomes a revival of Reginald Rose’s classic play that reminds us of the fundamental need for trials with juries
FIRST LIE WINS by Ashley Elston (Headline, £14.99) is set in small-town Louisiana, where among the local elite every tiny indicator of social class is picked over as studiously as the results of a CAT scan.
Evie Porter is struggling to fit in. She’s moved in with Ryan, who is as handsome as he is rich, well respected and well connected. She can’t pretend that she’s from the same moneyed background as he and his friends are, but she does have to find some way of making them all like her. It’s a matter of life or death. And the fact that there’s no such person as Evie Porter is just another complication.
This is a churningly exciting scam thriller, a great heart-starter for the dark new year.
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