SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
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A target sadly missed
LYNNE WALSH sees form suffocate all-important content in a groundbreaking 1928 play
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End
CHRIS MOSS welcomes a radical history that brings marginalised stories and overlooked people and agencies to the centre
Machinal
The Old Vic, London
WRITER Sophie Treadwell created plays with a female audience in mind, and did a grand job with this piece, first staged in 1928.
The crying shame is that the production, nearly a century later, does not serve its central theme well enough.
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