PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
IN THE upstairs room in my local pub just up the road — The County Arms in Highams Park, east London — Sunday evenings are jazz feasts.
There is always a guest musician of renown, a local accompanying trio of bass, drums and keyboards, followed by a chance for local musicians, young and old, to share the stage with the guest, and gain invaluable confidence from the encounter.
Last week it was the great veteran Glaswegian guitarist, Jim Mullen, who played an opening set including beautifully sharp ballads like I’ll Close My Eyes, I Can’t Get Started and Angel Eyes, with bop classics like Clifford Brown’s Sandu and Wes Montgomery’s Road Song.
New releases from Javon Jackson, IZE Trio, and Mal Waldron Trio
Chris Searle speaks to US pianist RAN BLAKE
CHRIS SEARLE speaks to Argentinian saxophonist CAMILA NEBBIA
CHRIS SEARLE urges you to listen to two new albums by the US Indian pianist VIJAY IYER



