JAMIE BRITTON recommends this fine analysis of the architectural, ecological and infrastructural destruction of the Gaza Strip
Boys from the Blackstuff
National Theatre, London
THIS excellent adaptation of Alan Bleasdale’s 1980s epic drama has great resonance for the insecure working environment of today.
The play, about five men struggling to find work in Thatcher’s 1980s Britain, brings out the desperation of the time but not without a little humour.
James Graham’s skilful adaptation compacts what was a five-part serial TV drama into just two-and-a-half hours.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play


