JAMIE BRITTON recommends this fine analysis of the architectural, ecological and infrastructural destruction of the Gaza Strip
Latest editorial
The female gaze
LYNNE WALSH applauds a show of paintings that demonstrates the forward strides made by women over four centuries
Julia Margaret Cameron, Mountain Nymph, Sweet Liberty, 1865
[Wilson Centre]
NADIA JOSEPH welcomes a survey of the role that TV played in the debate over apartheid and race relations in Britain
New releases from Rosa Walton, Paul McCartney, and Aidan Thorne & Jason Ball
RON JACOBS welcomes a sharp, intelligent and witty exposé of the corruption and right-wing politics that have taken over international professional football
ALEX HALL welcomes the memoir of a prominent British academic of Ugandan/Zimbabwean heritage
JONATHAN TAYLOR reviews a collection of short stories wherein news - and the absence of news - changes lives
Now You See Us: Women artists in Britain 1520-1920
Tate Britain, London
THIS is women’s work: brilliantly creative, tenacious, incandescent with passion, empathetic and rebellious.
There’s a word that crops up, though, in titles and texts: unknown. A portrait shows an Unknown Lady; it’s unknown where some artists trained; some painters had their names misspelled over the years. It’s almost as if no-one were paying attention to their talents.
Similar stories
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright