ANDY HEDGECOCK picks out his cultural highlights of 2025
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Wherefore art thou, Sergio?
ALAN CAIG WILSON is hypotised by a compelling and elusive show about love and death
NAKED NARRATIVE: Daniel Goldman in Divine Invention
[Adam Lenson]
Star cartoonist MALC MCGOOKIN finds lessons for today in the punch, and the economy of line, of an extraordinary generation of illustrators
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity
JENNY MITCHELL, poetry co-editor for the Morning Star, introduces her priorities, and her first selection
HENRY BELL is sceptical of the notion that ‘progress’ is an ideology that the ruling class uses exclusively to camouflage appropriation
In search of political understanding, MATTHEW HAWKINS welcomes a critique of anti-semitism as codified by the Israeli state
BEN CHACKO welcomes a masterful analysis that puts class struggle back at the heart of our understanding of China’s revolution
Divine Invention
Summerhall, Edinburgh
SERGIO BLANCO’s one-man show Divine Invention is part performance lecture, part fictionalised autobiographical memoir. For 65 minutes it draws us in, folding and twisting us through the fabric of its truth.
A man sits at his desk surrounded by props which we read as if reading a film-screen. A notebook, an art-card of a Francis Bacon painting, a microscope (mystifying, and ultimately ultimately enlightening) — objects that encourage us to draw connections.
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MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy
GORDON PARSONS admires a version of Marlowe’s grim tragedy that strips it down to its gay essentials
MARY CONWAY is gripped by a hilarious and erudite new play that dramatises the making of the alliance that defeated fascism
MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers