ED WAUGH introduces a special event to commemorate the centenary of the 1926 General Strike
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Wherefore art thou, Sergio?
ALAN CAIG WILSON is hypotised by a compelling and elusive show about love and death
NAKED NARRATIVE: Daniel Goldman in Divine Invention
[Adam Lenson]
PAUL DONOVAN recommends an energetic adaptation of Ken Kesey’s novel, that emphasises how psychiatry is a tool in the hands of a racist agenda
IAN SINCLAIR draws our attention to a film, available for everyone to use, to stimulate community discussion and active engagement in the climate emergency
SIMON PARSONS recommends an outstanding revival of the musical based on Argentinian LGBT activist Manuel Puig’s groundbreaking novel
JAMES WALSH previews the smorgasbord of talent and hilarity on show at the Brighton Fringe
Divine Invention
Summerhall, Edinburgh
SERGIO BLANCO’s one-man show Divine Invention is part performance lecture, part fictionalised autobiographical memoir. For 65 minutes it draws us in, folding and twisting us through the fabric of its truth.
A man sits at his desk surrounded by props which we read as if reading a film-screen. A notebook, an art-card of a Francis Bacon painting, a microscope (mystifying, and ultimately ultimately enlightening) — objects that encourage us to draw connections.
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PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play