New releases from Robert Forster, Self Esteem, and Arve Henriksen
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‘Jazz was created for and by the African-American community and was always political by its very nature’
CHRIS SEARLE speaks to celebrated US guitarist DUCK BAKER
Duck Baker, Incus Festival, 2009
SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
The bard gives us advance notice of his upcoming medieval K-pop releases
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
“THELONIOUS Monk is not only our greatest genius, no-one else is even close.”
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STEVE JOHNSON, CHRIS SEARLE and KEVIN BRYAN review new releases from Brooks Williams and Aaron Catlow, Kris Davis Trio, PP Arnold, Rum Ragged, David Virelles, Mark Harrison Band, Linda Moylan, Catriona Bourne, Julie Driscoll, Brian Auger & The Trinity
CHRIS SEARLE speaks to Glaswegian guitarist JIM MULLEN
KEVIN BRYAN, CHRIS SEARLE and TONY BURKE review new releases from Dickey Betts, Little Johnny England, Greenslade, Benet McLean, Sam Newbould, Sofia Jernberg/Alexander Hawkins, compilation: Walking To New Orleans, compilation: This Is Goldwax: 1964-1968, Jack Bruce