Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
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Un-American activities
MARY CONWAY feels the contemporary resonance of a new play set amid the manic and self-destructive patriotism of the McCarthy era
Jasmine Blackorow (Miss Bauer) and Michael Aloni (Art) in David Edgar's Here is America
[Manuel Harlan]
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Here in America
Orange Tree Theatre, Richmond
“WHY should I see this play? And why now?” These are common questions asked by discerning audiences.
David Edgar’s new play at the Orange Tree answers with its title, for this is a play exemplifying contemporary America.
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MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
JAN WOLF enjoys a British revival of the 1972 come of age farce/panto Pippin
The daughter of a legendary blacklisted Hollywood screenwriter has spoken out against the reactionary move, says MIKE SCHNEIDER