KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
‘This feels like natural communism, where we think of our music and work together as a shared collective’
CHRIS SEARLE interviews veteran pianist VERYAN WESTON
THE ETERNAL TRIANGLE: Trevor Watts, Jamie Harris and Veryan Weston at The Globe, Newcastle upon Tyne, 2024
The bard gives us advance notice of his upcoming medieval K-pop releases
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
GRAVITY is the powerful new album by The Eternal Triangle, composed of octogenarian soprano and alto saxophonist Trevor Watts, septuagenarian pianist and multi-keyboard virtuoso Veryan Weston, and the much younger percussionist Jamie Harris.
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This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
Two new releases from Burkina Faso and Niger, one from French-based Afro Latin The Bongo Hop, and rare Mexican bootlegs
Brazilian groove, Black Africa and Malian mixtures
CHRIS SEARLE speaks to renowned US tenor saxophonist DAVID MURRAY