SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JARRAH was at the door with a smile as bright as the arvo itself, his white Ceridwen Plumbing van making coughing noises in the midday-heat in the driveway. He was wearing a loud tropical shirt with palm trees that promised paradise but was purchased at an op-shop. He seemed to call out from the scene when he said, “You called for a plumber?” We couldn’t stop a leak somewhere in the pipeline and it was seeping through a crack in the cement floor. My partner and I didn’t know what to do. We needed someone immediately, as the water had created a small pool in the laundry room and threatened to spread into a nearby bedroom and beyond. So, we called Ceridwen, which had a nasty reputation for overcharging customers, but was willing to come immediately. And here was Mr Smiles, introducing himself as Jarrah, an Aboriginal fella.
“Come in,” I said, and led him to the watery mess.
He eyed it quietly, and then said, “I’ll have to tear it up to get to the leak.”
‘Chance encounters are what keep us going,’ says novelist Haruki Murakami. In Amy, a chance encounter gives fresh perspective to memories of angst, hedonism and a charismatic teenage rebel.



