The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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'My Dad didn't have many singing records, except for songs about independence and Amilcar Cabral, father of our nation'
Chris Searle speaks to singer CARMEN SOUZA
Souza
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
EARLY British imperialists like Francis Drake and Walter Raleigh kidded history by profiling themselves as “explorers.” Here’s a brilliant singer with her roots in Cape Verde, who, in her songs, often with an incisive wit and passion, explores their brutal pathfinding and exposes the origins of 400 years of colonial oppression.
Carmen Souza was born to Cape Verdean immigrant parents in Lisbon in 1981. Her father worked in shipping cargo, her mother was a housekeeper.
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